Entertainment Archives - Anuj Varma, Hands-On Technology Architect, Clean Air Activist https://www.anujvarma.com/category/india-current-events/entertainment/ Production Grade Technical Solutions | Data Encryption and Public Cloud Expert Tue, 27 May 2014 03:33:38 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://www.anujvarma.com/wp-content/uploads/anujtech.png Entertainment Archives - Anuj Varma, Hands-On Technology Architect, Clean Air Activist https://www.anujvarma.com/category/india-current-events/entertainment/ 32 32 Ye Jawaani hai deewani https://www.anujvarma.com/ye-jawaani-hai-deewani/ https://www.anujvarma.com/ye-jawaani-hai-deewani/#respond Mon, 26 May 2014 00:32:05 +0000 http://www.anujvarma.com/?p=2547 While the movie did reasonably well at the box office, it still fell short of reaching that iconic, clique status that was enjoyed by Zindagi Na Milegi Dobara and Dil […]

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While the movie did reasonably well at the box office, it still fell short of reaching that iconic, clique status that was enjoyed by Zindagi Na Milegi Dobara and Dil Chahta Hai. Which is a shame because it captured the most important human relationships better than either of those movies. Without compromising on the song and dance – without which no Bollywood movie can attain any lasting fame.

Here is my take on how Ye Jawaani Hai Deewani captures the most important relationships – the ones that people have with their loved ones and with money.

On Money

Haath ki dhool hoti hai paisa – sambhalne ke liye nahin, udaane ke liye hota hai

Money is meant to be spent (blown) – not saved. This is Bunny’s motto – and he lives by it. He spends freely on himself and his friends – and refuses to let money (or lack thereof) ever get in the way of friendship. When his best friend’s restaurant investment goes south, Bunny offers him his life savings – (only to be rejected). The movie is filled with such instances, placing money matters squarely below friendship and love.

On Love (on finding the right one)

Bunny (Ranbir) is unsure why Aditi is getting married. He asks her the reason behind her decision to get married.  Aditi’s reply is touching. She says ‘I had everything even before I met him. It’s not like my life lacked anything. But then, after meeting him, I realized – I could also be happy. Sometimes, just spending time with someone is all that is needed.’

To the age old question ‘How do you know when someone is the one? The answer is simple – you know because every moment with them is special. You want to spend more time with them (not for the physical attraction – but just for their company). Your soul knows a soul partner (someone for the long haul) – and this is its way of indicating that the person in front of you is your soul mate.

On Parenting

This was one of Farooq Sheikh’s last role as an actor (he passed away shortly thereafter). And also one of his most touching. He captures the struggle of a parent trying to both – control and guide – a rebellious son. When his son chooses to leave for the U.S. instead of staying home, Farooq’s parting words to his son are:

No matter where you are and what you are doing, remember, I am always with you.

And of course, when Farooq says it, it is touching without any sense of overacting or pretense.

The Songs

  1. hai re mera ghaagra – Madhuri Dixit and Ranbeer Kapoor light up the stage – well choreographed and catchy tune.
  2. Dilli Waali  Girlfriend – This time, Deepika and Ranbir light up the ‘wedding dance’ stage.
  3. Battameez Dil – People are still foot tapping to this , arguably the greatest tune in this soundtrack. Certainly, the best choreographed one – and Ranbir’s dance skills really shine through. 
  4. Balam Pichkari – Deepika’s ‘letting her hair down’ song.
  5. Subhanallah – another beautiful tune.
  6. Kabeera – for a really sentimental, touching song – entreating Ranbir to stay at home (with his loved ones) instead of always being on the run.

Summary

A humorous , yet touching script, capable acting by the leads and supporting actors – and a soundtrack that can be heard over and over again, Yeh Jawaani Hai Deewani did not, IMO, get a fair reception. In my books, it was/is worthy of the iconic status of some of Bollywood’s greatest works – including KKHH, KKKG, ZNMD and DCH. Your thoughts?

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Tedhi Baat – The Siddhu Episode (played by Shekhar Suman) https://www.anujvarma.com/tedhi-baat-the-siddhu-episode-played-by-shekhar-suman/ https://www.anujvarma.com/tedhi-baat-the-siddhu-episode-played-by-shekhar-suman/#respond Tue, 04 Oct 2011 05:17:09 +0000 http://www.anujvarma.com/tedhi-baat-the-siddhu-episode-played-by-shekhar-suman/   Gurpal interviews Navjot Singh Siddhu (played by Shekhar Suman) in this episode of Tedhi Baat.  You know that there is mischief afoot when Siddhu (played by Shekhar Suman) opens […]

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Gurpal interviews Navjot Singh Siddhu (played by Shekhar Suman) in this episode of Tedhi Baat.  You know that there is mischief afoot when Siddhu (played by Shekhar Suman) opens with a thumping on the table  – and starts firing questions at the interviewer (Gurpal Singh)

Tere ko dekhta hun to yakeen nahin hota – ki aisa bhi serious kisam ka koi sardar ho sakta hai! Sach Sach Bata – Khul ke hasse huye, kinne saal ho gaye? (When I look at you, I find it hard to believe that there can be a Sardar as serious looking as yourself !)

Gurpal defends his honor with a comeback

 Nahin Sir, Aisi baat nahin hain, Main bhi apne kisam ki comedy karta aaya hun. (That’s not really true Sir, I have been known to do comedy on my own as well..)

which is immediately deflated by Siddhu (Slamming the table yet again):

Yeh Bataa – Who Wahiyaat idea – tha kiska !  (Yes I remember – if you are referring to that TV Show with hidden cameras, just tell me one thing – Whose terrible (vahiyaa) idea WAS that damn show?)

There is no equivalent to the word ‘vahiyaat’ in the English language…The word means ‘crude’ but is the crudest sounding word in itself. As the interview progresses, Gurpal asks Siddhu a host of serious questions including ‘What are your accomplishments as a a politician?’ Siddhu, true to form, responds to these serious questions with ‘self-indulgent’ evasive jokes, never quite addressing the question at hand.

Siddhu continues evading every question by answering in verse, aphorisms, platitudes, jokes – anything but the real answer to the question. The interviewer, while obviously getting more and more frustrated by the lack of straight answers, tries to keep the interview on track – and even tries to find ‘hidden’ meanings in the nonsensical replies. Just when Gurpal thinks he has grasped the thread of Siddhu’s thought, Siddhu deals him another verbal slap to knock him off track. When Gurpal tries to offer his understanding of what (he believes) Siddhu is saying, Siddhu disagrees and proceeds to directly insult his intelligence. He offers Gurpal these words of wisdom Just looking intelligent (or nodding intelligently) does not make one intelligent – at which Gurpal winces some more.

Eventually, Siddhu notices the growing frustration of his interviewer – and offers his (unsolicited) explanation of why Gurpal is getting visibly upset. He feels Gurpal’s hands, surmises that they are getting ‘cold’ – in much the same manner that Arjuna got cold hands during the Mahabharatha. Still holding his hand and ignoring all his protests, Siddhu offers Gurpal (what he considers) Lord Krishna’s antidote to getting cold feet. Feelings gayee tel lene – tu yudh kar . Yehi Gita ka Gyan Hai (To hell with feelings, just make war dammit)!. (Again ‘Tel Lene’, is one of those phrases that loses meaning in translation). Thus, the Bhagavad Gita, a mighty tome of 700 verses, filled with wisdom of the ages, is summarized in one, table-slapping sentence by Siddhu.

A personality like Siddhu comes once in a lifetime. In the hands of a talented impersonator like Shekhar Suman, the idiosyncrasies are highlighted even more. Gurpal, by providing a straight-faced, sober backdrop to the entire proceedings, accentuates the humor even more. I don’t know about you, but I still get a laugh everytime I watch this episode of Tedhi Baat.

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